Current Work

At the moment I’m going down the flaming, occasionally smoky, and constantly intriguing cone-lined rabbit hole of ceramics. I’m doing stuff with hand-building, wheel-throwing, wishful exaltations to the gods, and then firing it all in kilns, pits, wired-together raku barrels, and an old Weber grill. So far, nobody has died.

See, also, Céramique 100 Secondes, a post-post-surrealist inquiry into temporal tensions.

I’m also working on a paper and fibre project inspired by, and loosely modelled on, the Japanese form of boro, where patchwork becomes something else all together. This is a series of three assemblages that draw on an odd sort of inexplicable material connections to my long-dead father.

Coming in 2025/6, The Tomb of the Pilgrim Queen, is a multidisciplinary and multimedia revelation and exploration of the material culture and narrative confusions from one of the most perplexing archaeological discoveries of the last half-century.

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